"Astrum Perpetuum" John Bonanno, 1996, acrylic, paper card, 4 1/4" X 6 3/8", $200

"Varium et mutabile semper
Femina."

Virgil, The Aeneid, (Orator per Mercurius)

The Larch, photo by John Bonanno, Hiram, Maine 2003

Clouds Without Water III/IX

As one entranced by dint of cannabis,
Whose sense of time is changed past recognition,
Whether he suffer woe or taste of bliss,
He loses both his reason and volition.
He says one word -- what countless ages pass !
He walks across the room -- a voyage as far
As the astronomer's who turns his glass
On faintest star-webs past the farthest star
And travels thither in the spirit. So
It seems impossible to me that ever
The sands of our ill luck should run so low
That splendidly success should match endeavour ;
Yet it must be, and very soon must be :
For I believe in you, and you in me.-Rev. C. Verey (Aleister Crowley)

This sonnet is from Crowley's collection, Clouds Without Water. Crowley wrote to Israel Regardie, his personal secretary in 1930 as follows:

"Please send a copy of "Clouds Without Water" to Aldous Huxley Esq., Athenaeum Club, Pall Mall (with prospectuses etc.) with my compliments-we had a gorgeous 3 days with him in Berlin. Also please set up a figure [astrological chart] for him. Goldalming 4 A.M., July 26 '94"

In my Think Or Be Eaten Radio discussion with Vyzygoth on Huxley I stated that I could find no evidence that Huxley and Crowley had met. The above quote is from Richard Kaczynski's formidable biography of Crowley, Perdurabo, The Life of Aleister Crowley, New Falcon, 2002. AC may have been exaggerating his association with Huxley to polish the apple for Regardie, but this is indeed evidence that they had been in contact. If anyone can provide citations from Huxley's works mentioning Crowley, I would appreciate the information.

"Partition in the Air" (scanned detail), acrylic on 16 1/2" x 13 1/2" paper, relatively early work by John Bonanno, 1986, $500

This painting illustrates some of the distractions a soul encounters on its sojourn to Earth.

"What then is the evil Soul?
It is, we read, the Soul that has entered into the service of that in which soul-evil is implanted by nature, in whose service the unreasoning phase of the Soul accepts evil unmeasure, excess and shortcoming, which brings forth licentiousness, cowardice and all other flaws of the Soul, all the states, foreign to the true nature, which set up false judgements, so that the Soul comes to name things good or evil not by their true value but by the mere test of like and dislike."-Plotinus, the Ethical Treatises

"The Culling" John Bonanno, Acrylic on watercolor paper, 10" X 14" circa 2000, substantial portion scanned. $500

This painting is concerned with human sacrifice.